Optima Pro

Optima Pro Roman

Designer: Hermann Zapf

Optima was designed by Hermann Zapf and is his most successful typeface. In 1950, Zapf made his first sketches while visiting the Santa Croce church in Florence. He sketched letters from grave plates that had been cut about 1530, and as he had no other paper with him at the time, the sketches were done on two 1000 lire bank notes. These letters from the floor of the church inspired Optima, a typeface that is classically roman in proportion and character, but without serifs. The letterforms were designed in the proportions of the Golden Ratio. In 1952, after careful legibility testing, the first drawings were finished. The type was cut by the famous punchcutter August Rosenberger at the D. Stempel AG typefoundry in Frankfurt. Optima was produced in matrices for the Linotype typesetting machines and released in 1958. With the clear, simple elegance of its sans serif forms and the warmly human touches of its tapering stems, this family has proved popular around the world. Optima is an all-purpose typeface; it works for just about anything from book text to signage. It is available in 12 weights and 4 companion fonts with Central European characters and accents. In 2002, more than 50 years after the first sketches, Hermann Zapf and Akira Kobayashi completed Optima nova, an expansion and redesign of the Optima family.

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Commercial use — verify the licence and rights holder.

Automatic file estimate, not a guarantee.12 styles· Glyphs: 450

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Съешь ещё этих мягких французских булок. The quick brown fox.

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Font information

Designer
Hermann Zapf
Manufacturer
Monotype Imaging Inc.
Version
1.00 Build 1000
Description
Optima was designed by Hermann Zapf and is his most successful typeface. In 1950, Zapf made his first sketches while visiting the Santa Croce church in Florence. He sketched letters from grave plates that had been cut ab…
Copyright
Copyright © 2014 Monotype Imaging Inc. All rights reserved.
Trademark
Optima is a trademark of Monotype Imaging Inc. registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions.
Vendor URL
http://www.monotype.com/
Designer URL
http://www.monotype.com/

Commercial use *

Proprietary / commercial

  • Commercial layouts (print, documents, design)unclear
  • Web embedding (WOFF)unclear
  • Logo / trademarkno
  • App embeddingunclear
  • Reselling the font fileno

* This estimate is generated automatically from the font file metadata. It is not legal advice, not a licence, and not a guarantee of any usage rights. Before any use — including layouts, websites, logos, or apps — check the full licence in the file and with the rights holder yourself. Font Archive is not responsible for how you use the font.

Faces

  • Black · 400 · source TTF · 73 KB

    TTF — works in Windows, macOS, Figma, and Word.

  • Black Italic · 400 · source TTF · 73 KB

    TTF — works in Windows, macOS, Figma, and Word.

  • Bold · 400 · source TTF · 69 KB

    TTF — works in Windows, macOS, Figma, and Word.

  • Bold Italic · 400 · source TTF · 73 KB

    TTF — works in Windows, macOS, Figma, and Word.

  • Demi Bold · 400 · source TTF · 73 KB

    TTF — works in Windows, macOS, Figma, and Word.

  • Demi Bold Italic · 400 · source TTF · 73 KB

    TTF — works in Windows, macOS, Figma, and Word.

  • Extra Black · 400 · source TTF · 74 KB

    TTF — works in Windows, macOS, Figma, and Word.

  • Extra Black Italic · 400 · source TTF · 74 KB

    TTF — works in Windows, macOS, Figma, and Word.

  • Italic · 400 · source TTF · 71 KB

    TTF — works in Windows, macOS, Figma, and Word.

  • Medium · 400 · source TTF · 73 KB

    TTF — works in Windows, macOS, Figma, and Word.

  • Medium Italic · 400 · source TTF · 73 KB

    TTF — works in Windows, macOS, Figma, and Word.

  • Roman · 400 · source TTF · 67 KB

    TTF — works in Windows, macOS, Figma, and Word.

Character set

450

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